“This minute that comes to me over
the past decillions,
There is no better than it or now.”
-(Song
of Myself, section 22, line 38-39)
It is difficult to choose two favorite
lines from “Song of Myself” but these two lines speak to me
because it is something that I strive to recognize in life as well.
The runner up was, “I
exist as I am, that is enough” (Song of Myself, section 20, line
36) which also echoes the idea of presentness. Living
in the present moment is too achieve freedom. After all, this is all
we have, the past is gone, the future is uncertain. This is a very
Buddhist belief and it strikes me that Whitman entwines these beliefs
with a very biblical and Jesus-like tone throughout “Song of
Myself.” One might think that the two are opposing.
He begins with, “And what I assume
you shall assume,” (Song
of Myself, section 1, line 2). The structure,
repetition and instructional quality make this line seem like it came
straight out of the Bible. The same could be said for section 21,
beginning, “I am the poet of the Body.” The rhythm, word choice
and repetition in this section really mirrors biblical quotations
from Jesus. There are a lot of vocative verbs beginning lines in the
poem. For example, “Stop this day and night with me and you shall
possess the/ origin of all poems, (Song
of Myself, section 2, line 33-34). Also, the whole 1st
stanza of section 19 seems to espouse Christian like goodwill or
Jesus-like humbleness and humility toward those who are typically
shunned or looked at in a negative light.
The
the poet as a spiritual teacher straddling the lines of Christianity
and Buddhism could be looked at as enlightened or as hypocrisy. It
certainly strikes an interesting balance. Whitman asks “Why should
I pray” (Song of Myself, section 20, line 12). That would be
blasphemy at the time. Here he is again stirring things up, because
he questions something that most people would say should just be
accepted. I believe he is more spiritual by grappling with these
ideas.
The
intertwining of Judeo-Christian and Buddhist ideals in this poem is
fascinating to me and I'd like to explore it further. Ruminating on
this subject only raises further questions for me:
-Is
the tone intentional or a by-product of being raised in a
Judeo-Christian society?
-Does
the Jesus-like sentiment point to a grandiose sense of himself? Or is
it unifying because it is a manner of speaking that people would be
very familiar with at the time; that might actually be comforting?